God Help eBay et al 天助eBay诸君

  Nobody can dispute that the awareness of Chinese Export Silver has grown exponentially in the past five years; there’s also far more of it appearing in auction house sales – but is the understanding of it there? Chinese Export Silver is, by default, an extremely complex silver category and it is only recently that […]

CHINESE SILVER-MAKING HAS JEWISH ROOTS!

CHINESE SILVER-MAKING HAS JEWISH ROOTS Ongoing research at the Chinese Silver Research Centre [CSRI] at Tsinghua University, Beijing is furthering its focus on the Jewish merchants and actual silversmiths from Sassania [modern day Iran] who plied the Silk Road for centuries, introducing the art of silver-making to China. Chinese silver retained a definitive “persian” influence […]

加州淘金热对中国银器和香港的影响 by Adrien von Ferscht 皇甫安 Translated by Chao Huang 黄超

THE CALIFORNIA GOLD-RUSH EFFECT ON CHINESE SILVER AND HONG KONG 加州淘金热对中国银器和香港的影响                                                 by Adrien von Ferscht 皇甫安  Translated by Chao Huang 黄超       深入研究发现,中国外销银是目前看来最复杂和最多样的银类品种,无法任取一件这种银器物而知其然,因其内涵传递的信息远比其外观要多。拾一件外销银如同握一颗手榴弹,其中满裹着各种历史、文化和艺术价值,随时准备引爆而揭开一个个秘密。 然而中国外销银长期以来背负着错误的命名,也许长达50年,或许更长时期。即使随着其需求与影响的扩大,银制品也一直并非物如其名,也从没有人给予它一个接近真相的适合头衔。我们有且仅有从史料记载的时间上判断,在18世纪末至1840年这60多年的时间里,一大批重要的新古典银相继出现,先是为了“出口市场”而生产,后则是供“国内消费”而制作。而这些银制品的制造者/主人,多以旅居中国的西方居民或新兴中国的中产阶级为主。 关于银制品制造者,笔者经过最近大量的勘校性研究后发现,一些被西方认为是“制造者”身份的人,实际上并不是制造者,而是零售银匠或零售商,并且银制品也仅仅只是其售卖的其中一种特殊商品。这众多鉴定银器标识背后的人物,在这时空中,经常能够带人进入一个无法预料的旅程,笔者本文想要介绍的,便是其中这样一个银器标识—-香港的“Chong Woo(长和)”。 “长和”标识最早可追溯到英国殖民统治早期(具体而言是1849年起),此标识虽无特别明确的样式,又往往与优质产品无关,但有其标识的银器却多为稀缺品,并且它的存在清楚地表明了曾有人懂得银器的工艺以及样式质量监控。 实际上,“长和”之名完全是虚构的名称,该标识背后的真实人物是招雨田(Chiu Yu Tin,常称招成林),14岁移民香港,是香港岛最早的移民者之一。他出生在距广州不远的南海县的一个贫苦家庭。碰巧的是,许多重要的广州零售银匠也来自佛山南海县,也就是说,招雨田很可能与银匠世家有着某些密切联系。 […]

THE CALIFORNIA GOLD-RUSH EFFECT ON CHINESE SILVER AND HONG KONG 加州淘金热对中国银器和香港的影响

THE CALIFORNIA GOLD-RUSH EFFECT ON CHINESE SILVER AND HONG KONG 加州淘金热对中国银器和香港的影响                                                                                          […]

THE ABSENCE OF AN ASSAY SYSTEM  金银检验系统的缺失 HOW CHINA, A SILVER-OBSESSED NATION, MANAGED WITHOUT ONE 为银狂热的中国是如何做到的

A nation with a 1400 year history of silver making and an economy that was obsessed with being silver-based until well into the 20th century, it is strange to learn that it could exist without any assay system. In the 155-year Chinese Export Silver manufacturing period, the vast majority of silver items that were made […]

SOUTH EAST ASIAN SILVER STARS

Auction houses are ideal platforms for judging buying trends which by default would also include prevailing values. In a recent sale at Dreweatts in the UK, 39 Chinese Export Silver delivered some surprises; it goes without saying that the majority of buyers were from China. The trend at this sale and recently at other auction […]

THE INFLUENCE OF THE TRIADS ON THE DECORATIVE ARTS IN CHINA 三合會對中國和香港的裝飾藝術之影響

THE INFLUENCE OF THE TRIADS ON THE DECORATIVE ARTS IN CHINA  三合會對中國和香港的裝飾藝術之影響 Style, the demand for style and the supply of style is an extremely fine-tuned, complex equation that only requires a small weakness in one element and the equation is compromised. Style icons are also an essential factor in creating a momentum for style […]

CHINESE EXPORT SILVER & THE ENLIGHTENED RENAISSANCE 中國出口銀器: 被啟蒙的文藝復興

CHINESE EXPORT SILVER AND THE ENLIGHTENED RENAISSANCE   中國出口銀器: 被啟蒙的文藝復興 Chinese Export Silver always adapted to the realities of Chinese history; it was, after all, a product of that history,as such, it has qualities that no other silver category possesses. Viewed in the overall context of China, it is an excellent indicator of prevailing historical […]

META-MUSEUM: T’OU SÈ WÈ 土山湾 THE BIRTHPLACE OF CHINESE MODERN CREATIVE ARTS

T’OU SÈ WÈ 土山湾:  THE BIRTHPLACE OF CHINESE MODERN CREATIVE ARTS The T’ou Sè Wè Legacy That a Jesuit orphanage and school in Shanghai founded in the 19th century should be the cradle of modern creative art in China is extraordinary in itself, but it is firmly rooted in a significant Jesuit presence in China […]

META-MUSEUM: CHINESE EXPORT SILVER – The East-West Divide 中國出口銀器:東西方的分裂

 CHINESE EXPORT SILVER: The East-West Divide 中國出口銀器:東西方的分裂 Well into his third year of research, Adrien von Ferscht has always maintained a deep appreciation of the neo-classical Chinese Export Silver – a product of the late 18th/early 19th centuries. As his research has progressed, he has become increasingly aware of the trend of the majority of Chinese […]

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